MAN OF THE YEAR: MICHAEL’S UNIVERSE

Black radio, the medium upon which Black Radio Exclusive Magazine (BRE) was founded, literally grew up with Michael Jackson, and it has been through those eyes and ears that the little kid from Gary, Indiana not only heard his first James Brown licks but also his own music as it fanned the world. The professionals in radio and the music industry who were welcomed aboard and helped contribute to the MJ phenomenon recall many of those moments when they learned firsthand the work ethic, discipline, passion and pursuit of excellence through which Michael defined not only his artistry but his very lifeform—a template upon which to build a better world.

The video is a tribute to all that Michael stands for–life, in all its permutations…love, and its power…. A video of memory, healing and joy.—Mark Pellington, director of video for “Hold My Hand” (duet with Akon)

In 2007, I co-wrote a song called “Hold My Hand” with Akon. A good friend and dope engineer, Exit Goodchild, made it sound like magic. My idol, Michael Jackson recorded it and made one of my lifelong dreams come true. It was slated to come out…what happened next the whole world knows. It’s now 2010, and although the circumstances are bittersweet, I am still honored and proud that “Hold My Hand’ will have its day in the sun. Grateful.—Claude Kelly, co-writer

It was a blessing and a dream of mine since I was a kid. Ever since I was 11-years old, I knew I wanted to be a producer and I knew I wanted to work with Michael Jackson. He played a big part in me learning how to publish my music. I knew a little about publishing when I came into the game at 16, but when I started working with Michael, I was 20 and he taught me about buying publishing and acquiring a catalogue at a young age. So I started buying other people’s catalogues and I am still buying people’s catalogues and it was because Michael taught me the system.

Michael was quiet with people he didn’t know, but Michael and I used to kick it in Miami and we kicked it in New York all the time. When “Rock My World” came out, he actually let me test the single at the Ruckers in New York before the single was released; that’s how cool he was.”—Rodney Jerkins, DarkChild, producer and BRE Man of the Year 1999

My first personal encounter with Michael Jackson began early in my career. He actually was the first big star I had the opportunity to interview live in the studio on-air followed by a chance to MC the Jackson’s Concert while in Hartford at WKND in the late ‘70s. I also had a chance to work with him in the studio directing and recording his voiceover to be inserted into a Jackson’s Concert radio spot. During that session I witnessed first-hand Michael’s discipline for perfection. The collective time I was able to spend with him formed my initial respect and admiration for an artist who would soon become the King of Pop. I found him always to be a consummate professional, very cooperative, genuinely friendly, with a good sense of humor.

As his solo career ascended to superstardom, there have been special occasions that have led our paths to meet again along the way. I remember in the ‘80s having exclusive access to broadcast live from the sold out Victory Tour Concert at RFK stadium on the Top 40 station Q107 where I did evenings in DC, reporting all the onstage action and excitement to those unable to be there. It was there I really observed and felt the powerful force of Michael Jackson.

It was at rehearsal in the ‘90s the day before the Soul Train Music awards–the year Michael was to perform and to be honored–where Don Cornelius happened to introduce me to someone in Michael’s camp. Before I knew it an impromptu private invitation had been extended to me and my family to join Mr. Jackson inside his personal luxury motor home parked backstage. We were greeted by a very cordial, jovial and mild mannered Michael Jackson. He seemed very relaxed yet very professional. It was an enjoyable visit. He told me he invited me in to express his appreciation for the support I’d given him in the past and as Program Director in New York. He also said he was thankful to all of Black Radio for all the support provided to him and his brothers through the years.

You may recall, later that evening while practicing some moves in his hotel room he broke his leg. However the next day his passion and strong tenacity earned even greater respect by all as he performed live in a wheel chair.

As a groundbreaker, passionate musicmaker, dance master and trendsetter… Michael Jackson changed the game worldwide and continues to do so with his new album Michael.

As a fan from the days of the Jackson Five, it’s been a privilege to know the world’s greatest entertainer and humanitarian. I wholeheartedly salute BRE’s Man Of The Year, Michael Jackson!—Vinny Brown, Executive Vice President, Taxi Productions UAC KJLH-FM (102.3), Los Angeles

Thank you Michael, because of you, the world’s a better place.—Dick Gregory

I still can’t get my arms around the fact that he is gone.—Quincy Jones

I can still remember the first time I saw the Jacksons on the “Ed Sullivan Show.” I said to my brother, “This little kid Michael cannot be from this planet!—Doc Wynter, Clear Channel Sr. VP Urban Programming

This album really stands up in terms of showcasing Michael and his amazing voice and creativity. Songs like “Best of Joy” are right up there with his best work. I think time will show that.—Brad Davidson, SONY Music Sr. VP Promotions

It was a great privilege and honor to work with Michael and Quincy on the

Thriller album. I promised Michael when I first came over to CBS that I would fight to make certain that the company marketed, promoted and distributed his product the way they did their Pop acts. I believe I kept my promise and in doing so we forever changed the parameter for what a Black artist could become. I am very proud of my contribution to the legacy of Michael Jackson.—Larkin Arnold, Esq., entertainment attorney, former Sr. VP CBS/Sony Music

Growing up with the Jackson 5 and then being in radio when Michael Jackson got on the scene has been a high point for me in radio! I remember meeting The Jacksons at Tavern on The Green in NYC when they announced the Victory Tour. It was so exciting for me because I was just beginning my radio career and this was one of many reasons I got in the game–the Music! Michael Jackson was the ultimate entertainer and music perfectionist. I look forward to continuing to play his music on the radio.–Terri Avery, Operations Manager/Program Director, CBS Radio (WBAV-FM/WPEG-FM), Charlotte, NC

Simply, Michael Jackson broke all the barriers: Radio, MTV and World appeal. He crossed over to mainstream white America like no artist ever did before him and hasn’t done since. Black radio was there from the beginning starting with the Jackson 5 phenomenon and we have followed Michael all the way.–Phil Michaels-Trueba, PD Cox UAC WHQT-FM (Hot 105), Miami, Florida

You couldn’t have chosen a better person to honor as Man of the Year…..MICHAEL JACKSON….I’ve been playing Michael’s music since 1972 and to this day WDIA is probably the one station in the country that plays at least three to four Michael Jackson/J5 songs a day. I know of no other performer who did it on record and on stage as good as Michael did it. My wife and I saw Michael Jackson in 1987 at Madison Square Garden. That was the first and only time I saw Michael perform live. Michael was the thriller……he was bad and you know it.—Bobby O’Jay, PD and morning show host, Clear Channel UAC WDIA-AM (1070), the heart and soul of Memphis, Tennessee

I was press director for the Bad tour. Michael Jackson was simply the greatest performer ever. And as great as he was as a performer, he was an even better human being.–Michael Mitchell, Tour Press Director Bad Tour, currently Vice President Marketing and Strategic Partnerships New Product Development, TIME LIFE, Fairfax, Virginia

Anytime you see MJ live it’s a treat. But I was in the audience at Motown 25. It was the first time the brothers had performed together in years. Then MJ did his solo dance number with the moonwalk. What an entertainer, what a night! –Tim Watts, PD Radio One UAC WWIN-FM (Magic 95.9) Baltimore, Maryland

The measure of a man is what he gives back. Through all of Michael Jackson’s endeavors he was the ultimate humanitarian.–Joe Gorham, Music Director Howard University UAC WHUR-FM (WORLD 96.3/HD2), Washington, D.C.

After seeing two of Prince’s incredible shows over the weekend I couldn’t help thinking what life would be like had MJ been able to make the comeback we saw glimpses of in the rehearsal footage. Aside from Prince and a few others who live on, we’re quickly running low on the art of putting on a show. One only has to spend 10 minutes watching any TV/cable awards show these days to know this. All the explosions, nakedness and poorly choreographed steps we see today couldn’t replace ONE of Michael’s “moonwalks.” All I can say is Michael, the WORLD misses you! Your time, dedication, sacrifice and financial support will never be forgotten. Your life itself was a gift to all of us!—Skip Dillard, PD Inner City Broadcasting UAC WBLS-FM (107.5), New York City

All praise to the Jackson Family! There has never been a family in the world who has achieved what they have. When we say Michael Jackson is the greatest, he has to have come from a great family, a caring mother and father who taught him skills.—Rev. Jesse Jackson

I’ve been very fortunate to work with some of the best, from Frank Sinatra to Elton John, Dylan to Garth Brooks…and, then there was Michael. Mike was more fun than Barnum and Bailey, exciting, incredibly smart, with unbelievable and unequaled gifts. There is no doubt he was the greatest entertainer of all time.—Norman Winter, More Than the Norm

The thing I admired most about Michael was what a hard worker he was. He was a perfectionist who gave his all to whatever he did, writing, dancing or singing. I remember reading that he was so concerned, almost obsessed, with Prince’s success and it always drove him to do better. We all need something that drives us and pushes us into staying on top of our game, no matter what it is. Michael worked so hard that he’s still making money even though he’s no longer with us! He only wanted us to have his best.—Tom Joyner, host of the nationally syndicated “Tom Joyner Morning Show,” founder of REACH Media, Inc, the Tom Joyner Foundation and BlackAmericaWeb.com

I had the pleasure of meeting Michael Jackson a few years ago at BET CEO Debra Lee’s home. Down to earth. That sums him up, and he deserves every accolade bestowed upon him!—Rosalind R. Ray, Esq, Co-Manager The O’Jays

I remember in 1975 as a “lil girl” I won a Jackson 5 ’45 from the legendary AM 850 WRAP in Norfolk, Virginia. OMG! Still today I can recall my excitement. At the time Michael Jackson had all the potential to be a musical genius–a star in the making. He became that and more and I will always treasure the fact that from the beginning I would live to see the entire legacy of this musical genus as a fan and professional. The world has not yet grasped the true loss of this icon. With his solid encore performances in “Michael,” we get to hear musically what was on Michael’s heart and the message that he wanted to give the world. His trademark sound is heard throughout the project, but I wonder what it would’ve sounded like if it had Michael’s final touches on it, a promotional tour to see this giant at his best with his signature style and dance performances… we can only dream, but thank God I have an archive of music and memories to last me a life time. Kudos to BRE for selecting Michael Jackson The Man of the Year…he is the only choice.—Frankie Darcell, syndicated host of the “Mid-Day Mix” and “Sunday Morning Talk of the Town” on WMXD-FM (Mix 92.3) in Detroit, Michigan

On the occasions that I talked with Michael, I found him to be very attentive, a very good listener, and he was very much in control of that group even though he was the youngest member. He knew his place on stage, and as quiet as he seemed to be with his soft-spoken voice, when he was on stage, he was in command…There was something about him that was attractive. He had two decades of greatness, and it’s easy to see that staying power was not going away. When he walked into a room, even CEOs of major companies acted like groupies, running to the stage, doing everything they could to get autographs. His persona was gigantic, and his talent matched that. Michael’s music is his legacy…–“Super” Jay Johnson, ABC/Citadel Media, Dallas, Texas

When I first met Michael Jackson, he was 10 years old. A friend of mine, Mavis Staples of the world-famous Staples Singers, introduced me and said, “You are not going to believe this.” She was right…I was knocked off my feet. Without a shadow of doubt, Michael Jackson was the greatest entertainer ever to grace the face of this earth. The pop culture world is measured by this man—a man who had a good and kind soul. During one of the tours, he wanted to visit Haiti. When we arrived, it was a cultural shock for all of us, but to see the hurt on Michael’s face—at these poverty-stricken people—it was devastating to him. He was real quiet all the way back.

I have been very fortunate to be raised with James Brown, to work with Elvis Presley and to know Michael Jackson. It just don’t get no better than this, to know Michael Jackson—the man, the pioneer, the humanitarian. There are so many who owe this man so much.—Lonnell “King Ro” Conley, Announcer and Blues Director Jazz City Radio

Michael should be the Man of Every Year! He was truly a nice person who put his everything into everything he did. He was more gifted than anyone I’ve ever known.—Ron Isley

Michael has always had a big heart. One time he came to Atlanta at the request of me and then President Jimmy Carter and his appearance enabled us to immunize some 37,000 pre-school kids. He was phenomenal.—former UN Ambassador and Atlanta Mayor Andrew Young

Some people spend their lives loving Michael as a fan.

Some people fulfill their life’s dream working with Michael as a colleague.

Some people were blessed to know Michael as a friend.

I have experienced all three and my life is enriched because of it.

There are a million beautiful and personal memories of Michael worth more than the most precious thing the world has to offer.

I will cherish those memories forever. –Greg Phillinganes, musician, artist

Though it ended way too soon, Michael’s life was beautiful. Sure there were some sad times, but Michael Jackson accomplished everything he dreamed of.

My memories of Michael are of a 10-year old, whose passion was to be the greatest entertainer in the world and he was willing to work as hard and do whatever it took to become what he indeed became—the undisputed “King of Pop” the world over. What kid wouldn’t give his right arm to fulfill his wildest childhood dreams? Michael loved it all…every moment on stage, every moment in rehearsal. Michael loved creating what had never been done before. He loved everything and everybody. Especially his fans. Off stage Michael was shy, soft-spoken and child-like. But when he took that stage in front of his screaming fans, he turned into another person, a master, a “take no prisoners” showman. It was kill or be killed. I mean, Michael was awesome!!! Totally in charge. In fact, the more I remember and talk about Michael Jackson, the more I feel the “King of Pop” is not big enough for him. I think he is simply the greatest entertainer that ever lived.–Berry Gordy, Founder of Motown

Michael was truly the greatest performer. When he hit that zone, no one could touch him. I remember him doing three shows in a row and Justin Timberlake was supposed to join him onstage, but when Justin came out, he just froze and Michael was poppin’! Awesome! He didn’t need the special effects or anything else; he was the real performer.

And you could see him going into that spiritual zone backstage when he was getting ready for a show. He was always calm, relaxed, smooth. He would do his own makeup and take a few minutes alone in his dressing room where he had a picture of The Three Stooges that he liked on the wall. Then he would very calmly emerge and just blow the audience away. Even in Japan on his comeback tour when he was a little nervous about how people felt about him then, he always had the utmost professionalism and was always on time, and again, just blew them away.

I’ve had the opportunity to talk with people like Nelson Mandela and Oprah Winfrey, but the relationship with Michael was very special. Every time I left him, I’d be sad seeing him standing on the porch waving good-bye. He was always so welcoming, so hospitable. He was never about selfishness or harming anyone. He was always about trying to be closer to God, to be Christ-like. He loved more than he was loved and was always trying to get closer to God, to do the right thing even though it wasn’t always what he wanted to do. And whenever he was tested, he looked for his strength within, from bringing God into his body and putting him first in his life. Michael was really very spiritual and put God in control of his life.

He was truly blessed by God.

Japan has more orphanages than any place in the world and Michael wanted to do something for them while he was there so we picked one to visit that just so happened to be supported by Bill and Melinda Gates. Michael would arrive with no publicity and with multiple toys for each child. His own kids would go with him and he would be educating them as to what was going on. The kids were delighted, but Michael would also take the time to personally shake the hands of each of the nuns at the orphanage thanking each of them for taking care of the children.

And people just melted around him. One time when he was taking his kids to Disneyland, word had gotten out that he was coming and everyone knew his favorite ride was Peter Pan, so there was gridlock by the time he arrived. But he just held his hands up and the crowd opened up like parting the Red Sea. Then he would watch the parade from the Main Street rooftop and eat hot dogs and French fries with his kids. I thank God everyday that I was graced by this angel and am reminded even moreso that we can’t take our time here for granted. There is no tomorrow promised and you’ve gotta let people know you love them. That’s what Michael was about.—Qadree El-Amin, Southpaw Entertainment

KADIR NELSON’S DATE WITH DESTINY The Story Behind the Cover Art for Michael

For a writer, stories often intersect in interesting ways. Witness the segue from Sid Maurer, one of the first painters hired by a major label to create original cover art during the vinyl era, to Kadir Nelson, a young man who is currently attracting widespread attention for his outstanding work on Michael, the pop icon’s first album of new music released since his untimely passing in 2009.

In fact, Sony Music and the estate of Michael Jackson may well have had the easiest decision of the entire project when they chose art for the cover. They were immediately drawn to the highly stylized yet charismatic portrait of Michael that is the centerpiece of an imposing 9 feet wide by 4.5 feet tall mural depicting with meticulous detail key events and people spanning a half century of the life of arguably the greatest entertainer of his time.

Nelson, whose painting is titled “The King of Pop – The Life of Michael Jackson,” is an award-winning San Diego-based artist who has been honored for his exceptional illustrations of children’s books, including those by celebrity authors Spike and Tonya Lee and Debbie Allen. Among his previous cover art credits is uber-producer Swizz Beatz’s Ghetto Stories album

Nelson spoke to BRE about how he came to create the epic artwork that has been compared by some to the ancient Egyptian tradition of visually memorializing the lives of royalty. For a man like Michael Jackson who embraced the splendor of antiquity, even as he broke new ground as an artist and performer, this approach seems particularly fitting.

As it turns out, the hand of destiny was a key part of the back story. Nelson still vividly remembers the telephone call in 2003 that would change his life. And like many fateful encounters, it came out of the blue. Busy at work in his studio, Nelson answered the phone one afternoon and was shocked to hear the unmistakable voice of Michael Jackson.

“I really love your Marvin Gaye paintings,” Michael told him. “I want you to do one about me, but I want it bigger.” At the time, the icon had been working on songs for his compilation album, Number Ones, at Marvin’s Room, the legendary Los Angeles studio founded by the R&B great who had once been a part of his Motown family.

Jackson had been deeply affected by a pair of paintings that hung in the studio and depicted highlights of Gaye’s life. Struck by both the quality and emotional impact of the work, Jackson felt that this artist would be uniquely equipped to take on the challenge of creating a broader scale chronicle of his own life on canvas.

So the call, arranged by the manager of the studio, was to be the commission of a lifetime for the young up-and-coming artist from no less than Michael Jackson himself. While he never spoke to Michael again, his reputation for storytelling through his art would prove to be a perfect fit for capturing the elusive magic of his subject.

Nelson recalls that the moment was filled with dramatic ironies. “I was not only a serious fan of Michael Jackson’s music,” he says,” but I had long considered it a personal soundtrack.” He had even honed his artistic skills from about the age of eight through his college years by drawing ever-changing images of his idol.

Anxious to get started, Nelson dutifully followed Michael’s suggestion that he read his autobiography, Moonwalker, and began extensive research on the singer’s life. He wanted to ensure that the final product would accurately reflect the singer’s momentous journey from Gary, Indiana, to the world – with all the significant people and stops in between. The painting was to hang in Michael’s home and become a focal point of his extensive art collection.

As with so many Jackson projects, however, the momentum was lost in the maze of competing professional and personal priorities over the years. “After things stalled,” Nelson says, “I just couldn’t afford to dedicate the time needed to do the painting, although I knew it would be the fulfillment of a lifelong dream.”

Fast forward to 2009. Like the rest of the world, Nelson was stunned by Jackson’s death in late June. Then came another life-changing phone call, this time from John McClain, Michael’s close friend and co-executor of his estate.

“It’s time for you to do that painting Michael always wanted you to do,” Nelson recalls McClain saying to him, adding with his authorization to proceed, “ Don’t worry, we’ll figure out what to do with it later.” Nelson was initially hesitant until he realized that fate had somehow intervened again to give him another opportunity to complete the project.

Despite the six-year lapse since Michael first spoke to him, the artist found that his desire to find a way to creatively document such a full life on canvas had only intensified. “I felt that I owed it to him, his family and his worldwide fans to give it my all,” Nelson said. Especially since it would now become an important visual tribute to Michael for the ages – “a panoramic celebration of the life, music and career of the King of Pop.”

The selection of milestones from a life filled with them, as well as so many intriguing sidebars, was no small order. The family story alone was artistic fodder for a spate of books and movies, so he was grateful to have Michael’s eldest brother Jackie working closely with him over a five-month period. With invaluable family input, combined with his own sensibilities and research, Nelson painstakingly created a massive mural that combines both realism and symbolism.

It is, as intended, a spectacular “illustrated biography” of a once-in-a lifetime talent. Nelson was particularly gratified when his completed work won not only Jackie’s enthusiastic approval, but a thumbs-up from his brother Marlon and McClain.

From the outset, Nelson wanted the painting to fulfill the one specific request Michael asked of him: “Make it bigger.” In Jackson’s world, bigger was always better. But even the unprecedented size of the mural proved inadequate to capture fully such an eventful life.

But Nelson drove himself with the same quest for perfection that Michael exhibited in everything he did – from his recorded music to live performances to barrier-breaking videos – even changing his own technique. “Usually, I’ll do a sketch before I begin a project,” he says, ‘but for a painting of this magnitude, I had to conceptualize as I worked.”

Not unlike Michaelangelo’s fabled devotion to painting the ceiling of the Sistine Chapel, Nelson totally immersed himself in the project “from August 2009 until January 2010 and then again on and off until October.” And his focus and attention to detail are clearly evident.

The painting draws viewers into the same contemplative, image-deciphering mode as Nelson’s Gaye paintings that first attracted Michel’s attention. “I wanted to include key moments in Michael’s life that fans could immediately identify,” he says, along with those that were represented more symbolically.

Reviewing pieces from Michael’s own art collection, the artist carefully observed his subject’s preference for the regal and ornate in the classic French tradition. “This was incorporated into the overall themes of royalty and pop I used throughout the painting to commemorate his status as the King of Pop,” Nelson explains.

The central image of the work is a portrait of Michael clad in “a prince’s Victorian blouse with a high, ruffled collar” and a king’s golden suit of armor softened by velvet draping on his shoulder – a reflection of the two sides of his personality – with a silver-gloved hand placed over his heart, and a jewel-encrusted crown hovering over his head.

The position of his hand, says Nelson, “shows that Michael always put his heart into everything he did.” He’s also being crowned by two cherubic angels, one black and one white, signifying not only the song, but that his music crossed racial boundaries – as well as genres and generations.

Surrounding the portrait of Michael, only one-third of the full-size mural, is a mosaic of 50 images that symbolize not only the years of his life, but the number of shows he was scheduled to perform on his concert tour.

So biographically authentic is the painting that viewers are taken on a visual journey beginning with his family in Gary, where his parents Joseph and Katherine Jackson and his brothers and sisters are shown. He even depicts Joe Jackson’s broken guitar that his sons had been secretly playing before launching their own musical career, as well as trophies the group won in local talent shows before their emergence as the Jackson Five.

The visual story continues with the Jacksons’ relocation to Los Angeles; the family home in Encino; his professional mentors Berry Gordy and Diana Ross; key musical influences (Smokey Robinson and Marvin Gaye, among others); his beloved children (Paris, Prince Michael and “Blanket”); the landmark Motown 25 where Michael debuted the moonwalk and then danced away to CBS and a solo career where Quincy Jones helms the production of Off the Wall and the record-breaking Thriller – all key passages in Jackson’s lifelong passion to create great music and dazzle the world with his showmanship.

Nelson’s mural also evokes iconic career images ranging from Michael’s leather-clad “Bad” persona to his gangster-hip “Smooth Criminal”; the faces of Naomi Campbell and Michael Jordan from “Remember the Time”; water gun fights at Neverland Ranch with his children; his famous chimp “Bubbles” blowing bubbles; his nickname “Applehead”; a beetle representing his purchase of the Beatles catalog; key female figures in his life from Liz Taylor, Madonna, and Jane Fonda to former wife Lisa Marie Presley; tabloid-fueled items such as the infamous “elephant man’s bones” to the “hyperbaric chamber” where he allegedly slept – and, of course, his defiant musical response to all of it: “Leave Me Alone.”

But perhaps the most striking and symbolically significant depiction in the painting is a golden throne atop a mountain – The King of Pop’s throne. “It’s empty,” Nelson explained, “because no one will ever sit in it now that he’s gone.”

Kadir Nelson’s mural, which has been on display at the Marvin’s Room studio, will soon be available in limited edition prints at www.michaeljackson.com. For more information on the artist, visit www.kadirnelson.com.

Celebrating Teena Marie (March 5, 1956-December 26, 2010)

Teena Marie was amazing in so many ways. If you heard her, you dug her. If you saw her perform, you fell in love. And if you met her, you loved her even more.

“This was the most amazing woman I have had the pleasure of meeting in my 27 years in radio,” declares Jay Alexander, PD of WBTF-FM (107.9 the Beat) in Lexington, KY. “She had one of those engaging personalities… you were just interested in what she was going to say next. You could just see the glow about her. She was never a stranger to anyone, always accessible and ready to talk. You could see and feel her love and passion of making music, and she was not shy at all telling you her thoughts of the business. When we first met, I told her that as a young kid I always had a crush on her… she just put that big smile on her face and hugged me. That was the type of person she was, and I am gonna miss her!”

Everyone loved Lady T. And so the accolades poured out at her recent memorial service in Los Angeles. Music icons, legends, celebrities and executives alike expressed nothing but admiration for the songstress labeled the Ivory Queen of Soul. Folks such as Berry Gordy, Smokey Robinson, Stevie Wonder, Queen Latifah, Shanice, Sinbad, Shirley Murdock and more used phrases such as “Black music’s white darling,” “pioneer,” “deeply talented,” “amazing spirit” and “the coolest person” to describe this amazing artist.

Gordy, whose Motown Records released Teena Marie’s first four albums reflected on his relationship with the soulful R&B singer. “I am horrified by the sudden death of my darling, Teena Marie. She was my ‘baby,’ always true to herself, always true to her heart. When I first auditioned her, she was so awesome… she blew me away. She had so much soul – the only thing white about her was her skin. She was a powerhouse performer, writer, producer and arranger. Anyone who ever saw her perform, alone or with Rick James, will never forget how exciting music can be. My heart goes out to her sweet, sweet daughter, Alia Rose, her family, friends and fans. Teena Marie will always be a part of the Motown family. We will all miss her.”

Platinum producer and artist Narada Michael Walden, who worked on “Out On A Limb” with Tee, recalls how complete she was as an artist. “Outstanding,” he described her. “She had the moves, as she sang, while recording, and she sang in tune! She had a lot of rhythm and soul in her. I asked her where she got it from and she told me she was part Portuguese. She had so much fire, she blew my mind.”

Jerry Rushin, market manager/VP of Cox Media Group in Miami, adds that Teena could have excelled in any genre. “Teena Marie was a little lady with a big voice who could have sang Jazz, Blues or Rock ‘n Roll. A lot of people mentioned the color of her skin over the years, but the reality is that that had nothing to do with her success. Bottom line… that big voice just came through song after song after song.”

For one thing, Teena Marie had perfect pitch, so it’s no wonder few are able to cover her songs. The Fugees sampled her “Ooh LaLaLa,” however, and that song – “Fu-Gee-La” – turned into one of their biggest hits. When it came to hits, Teena Marie had many, far more than people may realize. And they were also diverse, from the classic lover’s lament “Fire & Desire” (with the late Rick James) to what arguably could be the first hit rap record, “Square Biz.”

Tee put out 13 albums and several compilations. She released 30 singles and 29 of them charted, the most successful being “Ooh La La La” (which charted No. 1), “I Need Your Lovin’” (No. 2) and “Square Biz” (No. 3). Seven hit the Top 10. She had six albums go Gold and two went Platinum.

She also did a lot of movie and television soundtracks, as well as collaborations. Her work was featured on the “Top Gun,” “The Goonies” and “Tap” soundtracks, as well as hit television shows such as “New York Undercover.”

Whether it was a ballad or a jam, she rocked it with lush instrumentation, beautiful melodies, prolific lyrics and that signature voice. Signed to Motown at the age of 19, it wasn’t long before she was writing, arranging and producing her own albums. She played guitars, keys and the congas. Although her talent was obvious, Motown worried about her image: a white girl doing Black music. Little did they know, Black audiences, and Black radio, would embrace her for decades to come.

“Teena Marie was a true example of how music can make us color blind,” explains the renowned “Fly Jock” Tom Joyner. “Black America loved and embraced her because of her music. I would always joke at how everyone gave her a pass… even sisters. There was no attitude, no judgment, no hate over her relationship with Rick James… of course that could be because it was Rick James. But I think it was also because she was so soulful. She was full of love and always was a great guest on our show, on the Fantastic Voyage, in the studio, wherever. She always gave her all. She was one of the best.”

Adds Mark Dylan, KOKY-FM program director and KIPR-FM operations manager, “I remember being a part of KOKY-AM (Little Rock) back in 1977 and hearing Teena for the first time ever. We knew immediately that she’d be huge at Black radio. Later, when they finally showed her image, we were all blown away that someone that soulful came in her packaging (LOL). Teena became a huge inspiration to anyone wanting to pursue R&B regardless of ethnicity. That says everything and more about her talent.”

After several albums with Motown, the honeymoon was over and she wanted to move on and had to challenge the iconic label. The result of that quiet battle has been a significant legal precedent for many major and indie artists that still stand today.

“Even though we will most remember Lady T for her funky music, the little lady was a force to deal with when it came to the business – the square biz,” explains legendary promoter and COPE head Libby Anthony. “When she sued Motown to get out of her contract, the courts inevitably passed ‘Teena’s Law’ – making it illegal for a record company to keep an artist under contract without releasing new material on that artist. Many artists have benefited from her fight as we continue to love her funk. Her love was for her music, and her daughter.”

Ironically, some of her best works weren’t even singles. True Teena fans know some of these: the duet with protégé DeDe O’Neal “I Love Him Too;” the brilliant and delicious lady version of “Secret Garden” with saxtress Pamela Williams and R&B icon Patti LaBelle; and from her Cash Money released album, “My Body’s Hungry.”

Over a career that spanned more than 30 years, she collaborated with a slew of top music names in a variety of genre: Smokey Robinson, George Duke, MC Lyte, Common, Faith Evans, Gerald Levert, Howard Hewett, Shirley Murdock, Kurupt, just to name a few. And even more benefited from her vast knowledge and kind spirit. When no one else would listen, she saw the gifts in Lenny Kravitz and took him in. He went on to become a rock/pop favorite and eventually collaborated with her on the Passion Play album on the track “Main Squeeze.”

Mary Christine Brokert, aka, Teena Marie, may have passed on December 26, 2010, but she is not done with the music world by far. In addition to some of the most memorable hits in R&B music that will live on and be cherished, she left behind a beautiful and gifted daughter, Alia Rose, who also has the voice of an angel. And… Teena had just re-signed with Cash Money and was set to release her 14th album this year.

Celebrating Teena Marie

I first heard Teena Marie’s music when I was in high school and then bought my first Teena album when I was in college.  As a wide-eyed co-ed, her music was at the center of my youthful happiness and innocent heartache. For me, she sang to the spirit of both. Her sound was unique, powerful and timeless. In those days I had no idea that our paths would cross professionally, but once they did, I got an inside understanding of that raw musical power and the unbelievable beauty of the artist and the woman. (How grateful I am to include that in my life journey!) Teena Marie had ‘it.’ She never disappointed in a live performance. She gave all she had when she poured out each note and you felt every decibel of it. Music is a living entity and hers will always be a part of a rich, full legacy as well as part of my own personal musical adventure. –Helen Little, former major market PD On Air Personality, WLTW-FM (106.7 Lite-FM), New York City

Lady T paved the way for many of today’s big stars. She broke through the color barriers with her sultry voice and performances. I was blown away the first time I met her, listening to this petite woman with a powerhouse voice. She will forever be with us through her collection of hits, from ‘Lover Girl,’ ‘Fire & Desire’ and of course ‘Portuguese Love.’ It was a pleasure and honor to work her last No. 1 record, ‘Still In Love.’–Travis Nuckles, SE Radio Promotions, Motown/Universal

I first heard Teena Marie’s ‘Square Biz’ when I was a kid and I knew that she had that thing. I was a fan right away. Then years later we signed to the same record label. That blew my mind. It was such an honor for me to meet and go on the road with her.–R&B legend Tony Terry

I was just a 16-year old trying to sing demos when I first encountered Rick James, who was in the Motown studios working with this little bushy-haired white girl. He hit the playback button and I heard, ‘I’m Just a Sucka For Your Love.’ This Teena Marie girl was the real deal! Several years later, after leaving Epic Records and striking out on her own, Teena asked me to come and arrange an a cappella intro to her remake on the R&B standard ‘Hypnotized.” I was honored by her request. And now that she’s not physically here, the strains of that intro are my everlasting memory.–Kipper Jones, Singer/songwriter

Whatever musical legacy Teena Marie left behind, I feel fortunate to have been a part of it. When an artist leaves a part of their soul behind through their music, it makes them truly immortal. So Teena, I hope that you are wild and peaceful whereever you are and that you are singing with the angels.–Jazz ‘saxtress’ Pamela Williams

Teena Marie was an artist I recently got to know personally but have been blessed so many times over the years by her amazing talent and soothed by her soul-piercing voice. She was such a regal woman, and she always paid tribute and respect to the greats who came before her in music and the leaders of the Black movement. The world has lost a great artist and a woman who always spoke what she felt in the depths of her soul.–Ernie Singleton, Industry Consultant

This was a talent that can never be replaced or duplicated. She was one of a kind. I will never forget the time I met her… way back in my early radio days. I had an invite to attend her Halloween party. It was crazy and yes, Rick James showed up and they both performed to a small group in some warehouse in Hollywood. I remember thinking how little she was and how powerful her voice was, especially for such a tiny lady! She was one of the most awesome vocalists of our time…another great star, shining on in the heavens. A voice like that doesn’t come this way often. –Terry Bello, Esq. Senior Executive Producer, The International Soul Music Summit BSoul.Tv – The Beautiful Side Of Soul

While I was PD at WSHA in Raleigh, during Teena’s performance at Dorton Arena, she fell off the stage before at least 5,000 fans. She jumped back up on stage and gave the crowd a rousing performance. I greeted her as she came off stage and she could hardly walk.  Many years later we were at a party at the home of mutual friend, actress Rolonda Watts’ home, and I brought up the evening in Raleigh. We had a good laugh. The first record I gave to my younger sister was the 12″ of ‘Square Biz.’ Teena was a real down to earth sista.–David Linton, former major label executive, D Curtis Music, Music Publishing & Management

As much as I’ve been a fan of Teena since ‘I’m Just A Sucka For Your Love,’ my only regret in my 25+ radio career was not seeing Teena live when I had the chance back in July of last year. I have seen Teena many times on TV but never live in person. I enjoy the lovely musical memories Miss Teena has given me as well as the world.–Bobby Holiday, PD/middays – WDZZ-FM (Z92.7), Flint, MI

I remember bringing Teena Marie to perform at a big Valentine’s concert presented by a station that I once programmed. The 20,000 people in attendance as well as myself were in awe of Teena’s heartfelt performance. I said to myself that I wished that I had made her the headliner, because I felt terrible for the artist that followed Teena Marie. Her music is sultry, powerful, sensual, relatable and will sustain forever. –Elroy Smith, OM, Radio One Philadelphia

Esperanza Grabs Grammy’s Best New Artist

Debuting in 2008 with her self-titled album that spent more than 70 weeks on the Contemporary Jazz charts, this multi-lingual prodigy from Portland, Oregon has had a rapid ascent ever since she discovered the bass and taught herself to play. A Berklee College of Music alum, who also became the youngest ever instructor for the venerable music school at age 20, Spalding, who appears in the Banana Republic ad campaign, was invited to perform at the Nobel Prize Ceremony In Oslo, Norway by President Obama. Highlighted in Oprah’s May 2010 edition of O Magazine in “Women on the Rise,” Spalding is already readying her third album, Radio Music Society, for this spring.

Grammys Salute Aretha

“I loved it!” was the response on Aretha Franklin’s Facebook page about the Grammy Salute to Aretha that had Christina Aguilera, Jennifer Hudson, Yolanda Adams, Florence Welch and Martina McBride performing Aretha hits. And in the personal message Aretha taped for the show, she looked great! The 18-time Grammy Award winner was in great spirits, having just attended the previous Friday night basketball game between the Detroit Pistons and the Miami Heat in hopes of personally meeting the Heat’s Dwayne Wade. The Queen of Soul fully expects to return to performing this May and recently recorded a new song with R. Kelly for her upcoming album on Aretha Records.

Michael Kyser Named 1st Ever President Atlantic Black Music

Michael Kyser (Photo by Andrew Zaeh)

Michael Kyser was named the first-ever President of Black Music for the Atlantic Records Group according to Atlantic Chairman/COO Julie Greenwald and Chairman/CEO Craig Kallman. Kyser, who began his music career two decades ago at Def Jam Recordings, joined Atlantic Records in 2004 as EVP of Urban Music.

Says Greenwald, “Kyser has been my trusted colleague and close friend for nearly 20 years, since we both joined Def Jam. We grew up together in this business. He has a deeper understanding of the urban music landscape than anyone in our industry. Kyser has immersed himself in the music and the culture, and he is a master at creating opportunities, building careers, and developing invaluable artist relationships. He has been a down-to-earth mentor and guide to artists and staffers alike, earning the genuine respect and loyalty of everyone he works with. I am very proud to announce this much-deserved promotion.”

Added Kallman, “It is a terrific testament to Kyser’s rich knowledge, insight, and achievements that he becomes the first person in Atlantic history to hold the title of President of Black Music. Among his many gifts, he knows intuitively how to bring the music to the widest possible audience, breaking down cultural barriers while nurturing the artist in the process. Since coming on board at Atlantic seven years ago, he has played a pivotal role in the revitalization of our urban presence.”

“Since Kyser joined us at Def Jam, I have watched him quite literally learn the business from the ground up: working the streets; hitting radio, TV, and the clubs; going on the road with the bands and doing whatever it took to break artists, get their music heard, and build brands,” commented Lyor Cohen, Warner Music Group Vice Chairman and Chairman and CEO, Recorded Music – Americas and the U.K. “That kind of complete immersion in an artist’s career is one of our top priorities at WMG, where we are 100% focused on identifying rising stars and nurturing their careers, as well as on giving our creative executives the support they need to make those careers the biggest they can be. Kyser is one of those executives. He doesn’t just do his job, he lives his job, and since those early days at Def Jam, I’ve seen him evolve into one of the most admired and accomplished members of the urban music community.”

Kyser, for his part, referred to the promotion as a dream come true, adding, “I’m looking forward to building on our achievements to take black music at Atlantic Records to new heights.”

Tom Joyner Added To NYC’s KISS

Starting on February 7, Emmis urban AC WRKS-FM (Kiss 98.7) welcomed a new morning crew to the New York airwaves, welcoming The Tom Joyner Morning Show back to the #1 rated market. To kick off his return to the Big Apple, Joyner led by giving a “Trip A Day” away to listeners to his annual Tom Joyner Fantastic Voyage Cruise that sets sail this year from Galveston, March 20-27. Bob Slade joins the team locally.

Says KISS PD Jill Strada, “Tom’s a radio veteran whose work ethic and dedication to empowering the Black community is a perfect fit with Kiss-FM’s culture. Together we are going to do some big things in the big apple.”

Added Alex Cameron, Emmis Communications SVP/Market Manager: “2011 marks 30 years for KISS FM as a dominant and trusted voice reflecting the tri-state’s African American adult community. In celebrating that, we are happy to welcome Tom Joyner to KISS FM with a show that shares the values of family and community.”

Kelly Mac Relocates to Philly CC Cluster

Kelly Mac

The 2010 Marconi Radio Award-winning midday air personality at WJMZ-FM (107.3) in Greenville, South Carolina as well as its APD/MD, Kelly Mac, has accepted the APD/MD position in Philadelphia at Clear Channel’s Hip Hop WUSL-FM (Power 99) and heritage urban AC WDAS-FM (105.3), according to Ken Johnson, Clear Channel Philadelphia Director of Urban Programming. She replaces Kashon Powell, who moved to Virginia to cover Clear Channel’s urban programming there last November.

NABOB To Honor Dr. Bobby Jones

The 27^th Annual NABOB Communications Awards Dinner is scheduled for March 4^th at the Omni Shoreham Hotel in Washington, D.C. this year with performances from Fantasia, Regina Belle and Chrisette Michelle. This year’s honorees include Dr. Bobby Jones with the Pioneer in Gospel Music, Buddy Guy and Slinger “Mighty Sparrow” Francisco with Pioneer in Music and Soledad O’Brien with the Mickey Leland Public Service Award.

Dr. Bobby Jones

D.C. Welcomes UNCF Relocation

Ground was officially broken for the new United Negro College Fund headquarters in the Shaw area of Washington, D.C. on February 7, beginning construction on a 50,000 square-foot office at Progression Place, located at 1805 7th Street, NW that is expected to open in 2012. Michael L. Lomax, Ph.D., UNCF president and CEO, explained the organization’s move from Fairfax, Virginia to D.C. as expanding its advocacy and service to students. “UNCF has become one of the country’s most prominent advocates for the importance of students getting the preschool-through-high school education they need to succeed in college, and Washington is the hub of the national conversation about how to make sure they get that preparation for college,” he said, adding that the “UNCF also wants to be able to provide college-focused information and services directly to DC-area students and the hundreds of thousands of students who visit DC each year. To be an effective advocate for education reform, and to help children of color prepare for college UNCF has to be in D.C.”

D.C. Mayor Vincent Gray, D.C. Delegate Eleanor Holmes-Norton, Council Chair Kwame Brown, Ward 1 Council member Jim Graham and other leaders joined UNCF representatives for the groundbreaking ceremony of the $23 million building that will also house mixed office space and more than 200 apartments and retail space. Additionally, there will be a career center offering students standardized test preparation, college application help, financial assistance, interview training and job placement assistance as the UNCF envisions the site becoming a hub in the Shaw neighborhood for other advocates of minority education.

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